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Matagi
Matagi
Inward / 内側へ
These photographs are images of the city of Tokyo that I created after meeting the survivors and hearing their stories of the night of the Great Tokyo Air Raids. Since this project started from "Surface" section introduced before, and through the interviews of them, I just realized another layer of the cityscapes. All of these images were taken with a thermal imaging camera. The reason for this is that in the interviews with air raid survivors, the first thing they remembered about the night of the air raid was the visual information. I felt that a thermal imaging camera would be the right tool to reproduce information related mainly to temperature, such as the scene of the city in red flames, the fact that it was as bright as daylight, and the heat that seemed to burn to the core of the body. In addition, some people clearly remembered the blackened and charred human figure, which contrasted with the color of the brightness and horror of the flames. And for some reason, some of them had no auditory information, and their memories repeated themselves like a silent movie. In light of this, I thought that still images, rather than moving images, were suitable for this context.
The landscapes in the images were selected from the routes and places where the air raid survivors actually evacuated, the places where their parents' homes were located, and the neighborhoods around the areas they were associated with where they had spent time before the war.
The photographs are not surface views of the same Tokyo scenery, but rather reproductions of the "inward landscapes of their memories"
これらの写真は冒頭で紹介した「Surface/表層」のパートからしばらくして、私自身が空襲体験者に出会い、当時の話を聞かせていただいた後に制作した東京の街のイメージである。これらはすべてサーモグラフィーカメラを用いて撮影をしている。その理由は空襲体験者のインタビューの中で、空襲当夜のことで最初に思い出される場面というのが、視覚情報であったということが挙げられる。その中で、紅い炎に包まれた街の情景や、昼間のように明るかったこと、身体の芯まで焼けるかのような熱さなどの、主に温度に関わる情報を再現するにはサーモグラフィーカメラが合っているのでは、と感じたからだ。それに加えて、火炎の明るさやおどろおどろしさとは逆に、真っ黒く焼け焦げた人間の姿が印象的だったという人もいた。そしてなぜか何人かは聴覚情報がなく、まるで記憶が無音映画のように繰り返されるという人もいた。
その点を踏まえても動画ではなく、静止画というのがこのコンテクストに合っているのだと感じた。
写真の中の風景は、空襲体験者が実際に避難した途中の経路や避難した場所、彼らの実家があった場所や、戦前に過ごしていたゆかりのあるエリア周辺を選んでいる。
同じ東京の風景でも表層の風景ではなく、彼らの「記憶の内側の風景」を
再現したものである。